Why Poetry?

 

Because this is a world I didn’t make, and it is real,
and the realer it feels, the more mysterious;

because one day, walking with my dad on a willow-lined trail
toward Good Spirit Lake, I was lifted out of the boy into a swirling world
of joy, and I’ve yet to fathom a why;

because reason is too weak to raise what is dead;

to honour the life of a sparrow;

to attend the spell of a dead star, whose light we still see;

to throw a wrench into a world geared up for business;

to feel,
down to the bone,
the quantum foam,
we flail in;

to convince you of your own divinity;

to oppose injustice and hate in a way that excludes no one;
not even the hater;

because over the years, I’ve fallen in love with a monk,
quite a few teachers, and a dead philosopher;

because I’m angry, envious, resentful, and fearful,
and still, there’s all this love in me;

because there’s a language within language always waiting—
like a silent cry;

because our glossary of mockery needs a funeral,
and the lexicon that’s left, needs new anointing.

because, in the beginning was the Word and the Word was with God,
and the Word was God, and how else do you plumb that?

to let failure, discouragement, suffering and death, have their say,
without any spoon of bromide;

to thicken compassion and thin out aggression;

because there’s an old notion called vision, that religion,
under natural sunlight, might be cause for unification;

meaning: Love spells the end of religion;

to find a way to say, welcome your existential dread,
for it drives the search for Spirit;

because the most primitive (and abusive) form of comprehension
is literalism, and dear Lord, see how we’re slipping back!

to un-mire the mind, liberate the kidneys, and activate
the open hand;

because faith,
without resisting moneychangers in corporate temples,
is dead;

because poetry is political, and kindness is its administrative wing;

because, hatred into compassion, revenge into forgiveness
eclipse all other miracles;

to find a thousand ways to say we are not our true selves,
until we sit, and eat, together;

because perennial amazement needs constant oxygen;

because in the time that’s left I want to tattoo the implications of Christ
on the ‘full body suit’ of my heart;

meaning: look around, the boundaries are gone, everything points to unity—
and we must hurry to catch the new reality—
the original, incarnate, emergent, reality;

for in the end, if joy has a why, it is harmony.

 

Linked Arms

“Spirit Island” Claude Boocock, Jasper Artists Guild

 

For the people of Jasper, Alberta.
For a friend who has heard hard news, and said, “It was like a bomb going off.”
For you, children of our unfinished creation, who know loss, suffering,
and still go to the aid of other people.


Linked Arms

When K. D. Lang sings Leonard Cohen’s, Hallelujah, the world must weep,
and should you hear the song before dawn and have it catch you
before the day’s hypnosis of busyness, you too, in that haltering,
blinking, moment, of being open to the utter reality of other people,
may weep, and suddenly, intimately, know the hurt
and loneliness a stranger endures, some child undergoes,
or some other burdened soul in our universal circle, bears,
and in the suffering of this necessary knowing, the given anguish
of compassion, you are carried into the morning—
actively human, and awake.

For we are not people who have seen the light,
we are, every one of us, broken hallelujahs,
we feel the chill of parting, the noose/abyss of loss, the cut of pain,
and we spend part of each day praying, for ways to carry on,
and after our bargaining is done, after the song ends, it turns out,
we do not carry on by way of revelation, or by any private victory,
or by devotion or special discipline, or by being on the side of right,
we rise, find our bearing and stand, only,
by way of linked arms.

 

Praise

All day long,
my mouth is filled with your praise. -Psalm 73


Praise the cliff behind our house,
the rappelling rope to Holland Creek,
the agility remaining in these aging knees;

praise these eyes that follow the stream,
still widen at the water’s glinting;

praise the wisp of haze
rising above the weir;

praise this skin that drinks the mist,
frissons, still, at the billion bursting bubbles;

praise these tears that dissolve the damage
of my dogged gloom;

praise the friend whose presence is shade,
whose words are salve;

praise the poet who pokes my sluggish soul,
the painter who awakens the heart;

praise the joy of a child at play,
weep at the idleness of our highly busy lives;

praise the truly content,
for they are commercially useless;

praise the attentive,
for they are the resistance;

praise the peace-filled protesters—
genuine rebels, original mystics;

praise the mocked and maligned,
those dissident dancers;

praise you, darlings of the Spirit,
howlers in wilderness, desert coyotes,
restless residents of a dark and violent time,
who still chose to love, and live, as though guests
of a free and mercy-forested world;

opposed by unavoidable conflicts,
condemned to countless failures,
still journeying, still yearning,
for the coming community
of vision;

praise my walking companion, my partner, my beloved,
God’s ingenious gift.

A Savage and Beautiful Truth


My idea of faith was positional.
It would lift me above pain and madness,
self-absorption and sadness.

My idea of Church was a community of safety
and pleasantry; coffee time after the sermon,
and warm afternoons with like-minded souls.

My attachment to Benedictine spirituality
would shield me from this nervous world,
preempt its contagious neurosis.

My idea of God could be plotted on a balance sheet:
proper piety, amortized, would yield spiritual equity.

And a fixed-term assurance plan,
could have passed for my idea of Christ.

So how could I have understood that buried beneath
my attachments and ideas, was a savage and beautiful truth?
alive and burning; unless,
some soul-quake, some heart-rift, would cast off
the rotting cloak of my calculating mind;

to sit, empty of words and ideas, here

with my beautiful transgender son—whose years
of physical suffering are untenable and cruel
and loom, to make him an island.

And here, in this inconsolable afternoon
—that tempts me toward some form of numbness—
my child turns and reaches out to me.

And I, with my bitter charge of Why!,
my rolodex of resentments, my permafrost anger,
am dropped into a serenity, within agony,
a comprehension, without comprehending—
intimately entangled, held, crazily close
by an ever-present, suffering, Love—
through the eyes and in the arms of my own son.