Picture your heart with an ear attached

At the Hospice, toward the end of our training, we are asked what comes when we think of Deep Listening. We speak, passing around a heart-shaped bean bag:

Rob says, “I remember as a kid dropping stones into a well. It’s the interval between when a stone is released and when it hits the water.”

Heather receives the heart and says, “It’s standing under a choir of liquid static falling from the aurora borealis, science says it’s an auditory hallucination, but I’d challenge that.”

Gloria says, “I see a mom at her daughter’s piano recital. The daughter poised, lifts her hands above the keys, no one dares to clear their throat.”

Miyo holds the heart and says, “A room, not a square room, a room the size and shape of earth, with rivers and trees full of birds, white-throated sparrows, for example — oh, such singing!”

Stephanie says, “I live close to a forest trail, you’ll often find me there. Sometimes I put my arms around an aging hemlock, place my ear on the rough bark and go still — up through the roots … the pulse of the sun.”

I say: “I’m in grade nine and my French teacher is explaining how nouns ending with double consonants are feminine, as her flaxen hair — that old kind, the flaxen you can still find under Romance at a used book store — falls over a partially exposed shoulder.”

Wendy says: “I read that a coral reef needs fish to keep it clean and healthy and it plays a kind of crackly wooing song. The fish listen with their whole colourful bodies and come to the reef. Music. Survival.”

Aaron says, “There was a time we had to call an ambulance. I heard the siren go right by our yard and fade over a hill; I knew they’d correct themselves, turn back, still, I stood at the approach like an antenna pitched to the siren’s frequency.”

Holly says, “Sitting beside moving water, any water, a spring, a brook, a tide or a trace of tributary tumbling over pebbles, congregating in eddies then spilling down a stone ledge, released into a turquoise lake.”

Lois says, “I love lakes like that. I remember stepping out of the camper early in the morning before anyone was up, the lake’s surface was a giant mirror with mountains in it and everything was so quiet I could hear water dripping off a canoeist’s paddle.”

Nadia receives the cloth heart, closes her eyes and breathes. We wait and wait … then understand. She says, “I see our hearts with ears attached.”

Cornelia and Lisa, our trainers, say, “Anywhere there is listening at depth, love is present.”

Puerto Vallarta, Bucerias, and the Blessing of the Boats

Air hot and close as it has been for days.
Morning sky near the horizon, papaya.
Chachalaca roosts in the magnolia.
Mexican boy walks the lawn with a falcon, shoos pigeons.

Iguanas climb jacarandas, turtles crawl across ceramic tiles
and beneath the succulents in the concrete pond
the barking frogs hush as the sun lifts above the complex.

White-shirted women with coal-hair swept back and fastened,
push carts full of folded sheets and spray bottles.
By the pool white plastic lounge chairs are being claimed
by royal blue towels and bright blow-up mattresses.

We walk slant down an endless shell-less shore of bleached sand.
A curlew rakes the wash for small clams.
Brown pelicans glide, wing tips touch the surf.
Magnificent frigate birds circle, crest, fold into arrowheads and drop.
A dozen waves out, from inner tube platforms, divers
hold their breath for minutes — surface with oysters and scallops.
A girl in a cornflower serape sells silver bracelets and bright scarves.

Today in Bucarias is the Blessing of the Boats.
The fleet moves in crossing Banderas Bay.
They are wreathed in palm leaves, balloons and garlands
of paper bougainvilleas. One has a large cross
from which a priest — heard but unseen — chants a blessing
through a loudhailer as the boats yaw by
or speed toward the beach.

One boat meets a wave sideways and capsizes.
No one is hurt. Just ruffled, discomposed.
Two more boats are blessed then all leave.
The half-submerged and listing one is towed along —
joins the rest to cross the bay.

The ending made me glad. We turn back, take the shore.
Pelicans, sandpipers, bathers and hawkers,
all of us blessed by a taste of paradise.
None of us impervious.
None of us left behind.

Divine Wisdom

Woman in a Garden by Caroline Hands, which graces the cover of, Lost in Wonder – Rediscovering the Spiritual Art of Attentiveness, by Ester De Waal

In the annals of the world affairs, a tiny thing happened. (As recounted by Rachel, whose name I’ve chose to change.)

Rachel pulled her car into a Starbucks lot and entered the civil rush and polite veneer of the precaffinated. The queue was a quarter way to the door but Rachel noted that the baristas were brisk. Nevertheless, when a middle-aged woman of modest means allowed a young couple, who with a, we-are-needed-elsewhere-I’m-sure-you-understand smile, to insert themselves ahead of her, Rachel chided the woman in her head: the unassuming are always at risk of exploitation.

Back behind her windshield Rachel watches a small drama play out on the slim patio. The unassuming woman is now sitting under a green umbrella at a black metal table sipping her coffee. A man who looks like he sleeps rough approaches and asks for change — for coffee, presumably. Without taking measure or soundings the woman reaches into her bag and gives the man change. He then asks for part of the muffin she is eating. Once again there is no hesitation and she breaks off precisely half of what she has and hands it to him. He nods and leaves.

Rachel watches with a mix of fascination and guilt. After the man leaves she steps out of her car, approaches the woman. “I just have to say that the way you treated the homeless man is admirable, I simply needed to tell you.” “Thank you,” says the woman, “but I wasn’t aware there were other ways.” Rachel, a parish priest, pauses, swallows, then asks, “What is your name?” “Sophia,” says the woman. “Do you know what your name means?” asks the priest. “Yes,” she says, “my father taught me its meaning when I was a girl.” “I hope we meet again,” says the priest. “That is my hope as well,” says Sophia.

Short Poem for Ginny — A Friend, who Died on New Year’s Day

Ginny in red vest; in the foreground, seated to her right, her beloved Ray.

There are those in our lives who know
more about us than we know of them.

The quiet ones, the still ones, the listening ones.
Those whose concerns lie always beyond their own ego.

Those who have no rigging for deception,
no contingencies for evasion,
no preconditions,
no camo coat.

Such an unselfed life
is not the fashion these days.

This was not a strategy. And as for those deeper channels —
where words enter caves and lose their edges —
these she preferred to navigate with her beloved,
or through her art.

Perhaps her unassuming path freed her
to appreciate more deeply,
celebrate more keenly,
a weather report,
the temperature of air on skin,
the personality of trees,
the scent of pond-fed cattails,
the sound of a landscape,
the beauty within the splayed order of nature.

Her paintings, like herself,
were delicate registers of modesty and soulful maturity.

Watercolour was her medium:
lucent layers, suggestive of transcendence,
where you can see the soul of a branch
before you see the branch —
leaning over a fence that cuts across a prairie field at dusk
under a moon,
its light drawn close as a blanket.

And now, hands that held the hand of her beloved,
her children, her family, her friends,
the children she taught,
her brushes, her journal,
have loosened, released,
and have escorted us,
complete with blueprint,
into this new decade.