Conflict and Sunrise

The lady selling me the highlighter wasn’t exactly sure if the yellow inky stuff inside the highlighter was banned. I had asked. She said no one told her she couldn’t sell the pens but that I might as well just "innocently" stick it down further in my shirt pocket when going through the boarding gate. As I was already within the secured area I took her advice.

Mean time the lady at Second Cup was pouring all purchased bottled water and juices into plastic cups to make sure people consumed them before boarding.On the early morning ride the cab driver had said the terrorists were sticking up the world and it "just wasn’t right".

It’s difficult to know what goes on in the brain of a bomber, especially a suicide bomber. Ideology, revenge, property, resources, historical claims etc. all figure into it I suppose, but after a while it seems that violence and the war itself is the object of desire.

My wife Deb said it might be hard to find an old suicide bomber. It’s true. Usually age greys ideologies of blood and soil, confidence in violence wanes, maybe even possessions are seen with clearer perspective, and maybe relationships are venerated. All of this makes it hard to blow yourself and others up.

It’s the young that warlords and ideologues know to recruit. A dispossessed young person is fertile ground for an absolutist cause, particularly when that cause is habitually linked to a transcendent cause and calling.And any cause will do. Christian, Muslim, Jew. As long as the victims are well hidden. That is, abstracted and exterminated as infidels or pagans long before any plastique or nitroglycerine tears their limbs away.

In the end the bombers probably have very little knowledge about their "cause", outside of what’s been prescribed. "Causes" are like that. Veneers of freedom and security conceal confusion and a great vacuum. The original object of conflict is lost and people get locked into a spiralling conflict.sunriseonwing

But then…as we took off for Canada’s east coast…there was the morning sunrise…

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K’naan the Humanitarian

There were a number of good "folk" moments at this year’s festival. David Gray surprised. Cockburn was his stellar self. The Neville Brothers were tight, polished and took us to New Orleans. The Wailin Jennys, Baka Beyond, Sarah Harmer and others were great…not too many disappointments.

A personal surprise was K’naan, a young Somalian rapper. At a folk festival you say? Exactly my thoughts…but K’naan and his three band members fit the Fest perfectly. A line in one his songs sums up his philosophy. "Better to light a candle than to curse the darkness."

As far as I can tell–I’m no expert–"gangster rap" is all about cursing the darkness. On the other hand K’naan’s rap, while jagged at times, is political, poetic, occasionally melodic, and hopeful.

Growing up in Mogadishu in a neighbourhood dubbed the river of blood he is fortunate to be alive. Neighbours, friends, and family have been killed in the prolonged violence among warlords. He was able to get out in the late nineties and settle in Harlem. Much quieter there. Since then he’s moved to Canada and is living in Toronto.

To come from such a place, witness what he witnessed and still exhale hope, reflects an indomitable spirit. To take his experience and work for peace through his own brand of self-deprecating protest songs, is light for us.

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Real-folk and Fake-gospel

This was me at the Folk Fest last night. But I loved The Waifes. raining-792956

Had one of those Folk experiences…the rain let up, the sun was insinuating some deep mauve into the city skyline and the Waifes were playing something CSNY-esque. Those are moments you go for, rain or rain.

…then I came home to the "news". And while we were all relieved that the London airport terrorist plot was caught, we were all implicitly asked to ratchet up our fear because of what might, could, eventually will, befall us because of the terrorists. Witness headlines like…"Day to rival 9/11".

Thomas Merton however would call events like this and 9/11 etc., "pseudo events". He would say that we get sucked into investing false meaning into"acts of terror", and as a consequence unwittingly add to the world’s stock of fear while invigorating the pseudo forces of power.

There is nothing creative, nothing of meaning, in an act of terror. It poses as a sacred act, an act of sacred revenge, supposed redemptive violence. Hooked, we dance around it, animated by the pseudo forces that have been awakened by our failure to see. We begin to take sides, our hatred is justified, and so redeemed becomes virtuous. And our unity is strengthened for a while. Fear may even get us to go back or renew our commitment to church or get serious about spiritual things. But all of this of course, is smoke and anti-gospel. As long as we’re controlled by these false powers, unable to look away, failing to "renew our minds", fascinated by "shock and awe", we will keep generating false unity and apocalyptic violence.

For an understanding that exactly nails what I’m trying to articulate here, check out this article by James Alison.

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Big-hearted Folkies

I’m heading off to the Folk Fest tonight (Edmonton); got a weekend pass for the first time in many, many years. In fact at the last time I got the whole package Doc Watson was middle-aged and still touring with his son Merle. Possibly the two greatest flat-pickers of all time. Here’s a taste. And when they teamed up with Bill Monroe or Grisham…well that was grass…Blue Grass at its break-necked shimmering best. docwatson

The way I see it, the world needs more folk festivals. They produce an ameliorating effect on the earth’s ether. They’re not the big solution of course but I bet there would be far fewer wars and less tightfistedness if there were more folk festivals. As fan Mary Pipher put it, bluegrass festivals, country fairs and public libraries are the world’s support system.

Of course Live-8 and the concerts put on by Make-Poverty-History are doing there part, and good on them. But in my experience, Folkies have always been big-hearted people. That’s just the way they are. Something in the music connects them back to terra firma. Something in those musical roots refuses to underestimate the power of one person sharing and giving.

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