Freedom: a Dance and a Discipline

Perhaps we sit around a fire, pass tequila,
or circle the chairs in the town hall,
or kneel in an airy church,
anything to bring us together.

And there, talk about the discipline of freedom,
and consider two forms of individualism:
conscientious or uncurbed, altruistic or maverick,
aggregate or egoistic, and ask:
what will help us grow?

Think of your darling.
Think of the things we relinquish for love,
or consequently tolerate,
in time, even embrace,
so to be, so to live, so to bloom.

How easy to traffic licence as freedom,
the sly addictions to self — the mercenary loyalty to a cell,
as a good, independent of common law,
of common good.

Freedom is the struggle to be good and to do good.
Freedom is the negative liberty, to work,
without hubris, without self-righteousness,
for the common good, especially
to protect the most vulnerable,
and those that care for them.

Freedom is also conscious of the temptation to impose,
arbitrarily,
the will of the majority upon the will of the minority.

As it is, a free society should work to protect
the right of an individual over his/her/their own body,
and,
an individual living in a free society should toil to protect
the right of the community: to wellbeing, to flourishing,
to gardening, to gathering around a warm fire,
passing the mulled wine of abundant peace.

The Painter

L: Heatherdown September Hillside, by Ellen Andreassen R: White, Interrupted, by Laurie MacFayden

There’s something about paintings that call you into the gut of their landscape, invite you to look around, then lead you down many paths, widening your sense of humanity, your hope, convincing you, finally, that this whole enterprise called life, is one colossal, possible, divine painting. (Here’s to all the inspired painters who keep posting their work. Here’s to the Great Painter.)


The Painter

Look how an ocean toned canvas
makes the sea star scarlet.

Look how the ash from last year’s fires
brings a crop of bees to the blooming ground.

Look how the young rose
grows, safe under the wild cover of weeds.

Look how often the colt falls in the pasture
to find its walking legs.

Look at all the weepers at the water’s edge,
abruptly thrilled by what’s washing up.

Look how the flooded river
brought them all together.

Look how an injured wind
sweeps the town square clean.

Look how you thought everything depended on a kiss
at the darkened exit of the school gym.

Look how the cake makes you think of coins in wax paper,
makes you think of your mom.

Look how stopping at the point of wanting more,
makes the wine finer.

Look, we thought everything was falling down,
but it’s really just us, half-built.

Look, I’ve spent oh two hours writing this poem
and a lifetime thinking about it, while you, daily,

daub your brush in the city’s powdered cinder
and crimson spillage,
paint us with more and more light.

 

Touch-driven Curtain of Skin

 

Yesterday, in The Atlantic — an article of increasingly troubling scenarios,
concluding: only Putin can step back and stop a major war.

An hour later I’m listening to Ideas on CBC —
the idea being discussed: the neuroscience of touch,

and the interviewee says, If there was more touch in this world
there’d be less violence, less war.

And being a simple man of cause-and-effect I was lead
to ponder the personal life of Mr. Putin, how perhaps,

his skin has not been frequently moved by the hands
of an intimate, and concomitant to his thirsting soul,

his aggression is rising toward that final embattled scenario, whereas,
everything on earth — shuddering cinder, swirling gales of ash.

Of course it’s here where I like to believe the simplicity
of my early morning Psalter, refuting the article’s author,

by noting that God is the author of outcomes,
but on this, history appears equivocal.

Then I think, as I’m a simple man, that whatever happens,
however many seconds there’s left on that damnable clock in Chicago,

we owe it to the mystery of our breathing, the penumbra
of our own spinning star, the gardens on the margins of galaxies,

to keep repairing the human breaches with handshakes and hugs,
with greetings, with smiles, with songs — all forms of touch —

songs that frisson emotion and leaven empathy, soul and body,
our human hymn book of common brokenness.

It was Ricoeur who said everything is profoundly cracked,
but it’s Cohen we remember, he put it into music,

kept us from straying, kept us reaching toward the flickering,
emanating from these honeycomb curtains of skin.

So while the moon feels its way through your hair
and a kitten rubs its face on yours to keep you awake

and playful, and in the morning your partner
rolls over to hold you, says, Come, let’s fetch the lilacs,

and hand in hand, as you make no noise walking
on the pine-shaded path under the eternal sun —

give thanks,
for these porous, touch-craving containers of light.

 

Master Plan: Shackle You To Me With Happiness

To my life partner: Happy 60th Birthday! (We’re a bit younger here.)

 

I’m going to rig the news feed on your laptop,
make it bring you only the best headlines: Whidbey Island’s
Lone Trumpeter Swan Gets a Partner.

I’ll train a parrot to always locate and retrieve your phone,
which, because of the Silicon Valley native I’ll hire,
can only be used to take pictures of waterfalls, and receive
amusing, interesting, or joyful texts.

I will piggy-back you all the way to the top of Mount Robson
so you can look down on all the hidden lakes, perfectly turquoise;
on the way down we’ll stop at Berg Lake for a lunch I’ve prepared, with
extravagant devotion, and toast our reflection under a warming afternoon sun.

I’m going to hire a contractor to divert Tzuhalem Creek past the patio
off our bedroom, and every night you’ll fall asleep, and every morning
you’ll awaken to the orchestral hush of running water.

Such contented bees, I’ll find (untroubled, as to match your treehouse days),
and every June and September we’ll harvest pounds of honey
made from the flowers of our own lavishly blossoming blueberries.

My master plan will include insuring your own pink health
with which to enjoy the permanently restored well-being
and ongoing flourishing of every one of our kids — and that’s how,

while thinking of blossoms, I hit upon my ingenious strategy
to take you to the ancient city of Kyoto, where at 60,
they give you a choice to start counting backwards,
or if you prefer, start over again —

but on this, a proviso: I get to be young too, again, with you,
watch you drive up the lane, windows down,
that red polka-dot dress, your face, that smile,
as I rush out the front door, pretending a calm coolness.