Contemplating Moments and Briercrest

Wish me luck. I’ve been asked, by my Dr.-brother Sam Berg, to take an hour this Monday to bring my slant on God Awareness and Benedictine Spirituality to a Spiritual Formation class at Briercrest College and Seminary.

I’ve done this before and I’m never comfortable. And, admittedly, I’m even less comfortable now. Added life experience has left me with fewer answers and some embrassement over past pronouncements.

But, at least the timing is interesting. Because recently a friend wrote to me explaining that her "faith-system" has crumbled.

journeyI’m thinking that she has had what Thomas Merton calls "a contemplative moment." That is, an experience or set of experiences that has exposed a disconnection between what she has, for years, theologically assented to, and her everyday life.

In other words, she is living through a kind of faith-vertigo that has showed up all kinds of spiritual clichés. Once comforting and seemingly solid, now quite hollow. And now comes the readying to recline in and with something else, something real. What that is, how that will come, is yet to be determined.

I remember having the prerequisites of Christian life down, and I did a good job carrying them out. But, as poet David Whyte has said somewhere, it was like, "part of me was imitating myself." This is a description of a heart unconvinced of real engagement and so it’s a heart on a collision course with the truth of life.

But the "contemplative moment," or moments, are not quasi-mystical-intellectual experiences. They come in and through the emotional mess of life. They are "rags of light," experienced on "broken hills."

And these "moments" reveal that life cannot be sustained by propositions, specifically Christian propositions. That propositions are lies if they lead. That propositions are only true as by-products of story, of narrative, and connect with truth only through ongoing existential verification.

It’s like Barbara Brown Taylor in her book Leaving Church says,

"Narrative is not a choice I make when it comes time to tell the truth; it is the way that truth comes to me–not in crisp propositions but in messy tales of encounters between people and people, between people and creation, between people and the Divine."

As a Christian, when Jesus becomes more artefact than present-story it’s time to stop.

When I can no longer locate my story among the "street people, hookers and bums," or more urgently and at least as profoundly, read my narrative as part of the lynch mob, corrupt corporate execs, scaly operatives, and suicide bombers, it’s time to stop.

Time to rekindle, if possible, a desire for connecting moments. This is apparently an answer, but really a non-answer.

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Geez’s Summer Issue

Geez

I’ve referred to geez magazine (see sidebar link) a couple times in past posts, but, forgive me, I need to make special mention of geez’s sixth issue because they’ve published something of mine.

So, next time you’re in Chapters, Coles, Smithbooks…pick up a geez. Better yet, by-pass the nasty conglomerates and subscribe directly. Why? Well, yes, there’s me, ahem, but infinitely more than that…as say the editors,

Because it’s time we untangle the narrative of faith from the fundamentalists, pious self-helpers and religio-profiteers. And let’s do it with holy mischief rather than ideological firepower.

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Dad

Years ago, in those foggy days right after my father’s rather sudden death, I was going through some of his old books. I found a scrap of paper upon which he had written a short prayer. It said, "Yes, peace that passes understanding…but give me the understanding that brings peace."

I wondered what he was going through just then. My father sought understanding. He saw his quandary. The note referred to Philippians 4.7, where St. Paul speaks of the peace that passes all understanding.

But his line was a rebuttal. He was saying, fine, Paul, but I still want the kind of understanding that brings me peace. Dad was a realist grappling with his faith.

My father had many occasions to question his faith, question the faith of his church. And I’m certain now, all these years later, that the questioning ran deeper than any of us suspected. But why would this surprise me?

He was, through this little scrap of paper, crying a Psalm…Give me understanding that I may live.

Dadsm

I remember riding my bicycle home from work after the long distance call from my mother and my brother Paul, informing me that my dad had died of a heart attack.

I stopped on the bank of the North Saskatchewan and sat down in the grass. I’ve always loved rivers and so I just sat there watching the grey-green water.

The city sank away. The sun shone warm and the air had a deep-fall fragrance. In that heavy brilliant afternoon the outline of my father’s smiling face came into view and a the outline of a poem came to mind–a poem that I would later read at my fathers memorial.

Today, his etched face–is still etched in my mind.

I see him sweating, black dirt ground deep in the creases of his wet face. His shirt stuck to his back, rivulets of water running down under his cap, down the side of his face as he shovelled, hammered, lifted, pulled.

I see him crouching, head down, helmet on, while sparks shoot past his arms and legs and bounce up off the hard-packed dirt of the log tractor-shed.

He welded a bird bath together using steel discs of the old seeder. He used farmer–rods, 7014’s. That piece of modern art was eventually anchored in the ground in front of the picture window of the cabin, the cabin he created from the warehouse that was once attached to our store in town, the Springside Shopping Centre.

In the small living space at the back of the store I see him sitting at the table, beside him a shin-high stack of newspapers and magazines. I hear him, being cynical, and hopeful, about the state of the church, the municipality, the country.

I see him entering the rainfall and weather conditions in that acre of space beside each day on the Saskatchewan Wheat Pool calendar that hung behind his chair.

I hear him half a mile away in the field, singing above the roar of the Cockshutt tractor…singing what he always sang in the middle of the field …"How Great Thou Art."

farm

In the Baptist Church, I’m noisily fidgeting while Pastor Ulrich preaches and I hear him signal, as he always did, with a long drawn-out throat clearing. I face front quick as a consonant, and feel his eyes for a long time on the back of my head.

I hear him laugh mercilessly as he tells the only off-colour joke I’ve ever heard him tell. The one about the farmer who found the whistle in the manure pile. What did he do with it? He blew the shit out of it! All the kids roar. Aunt Nettie and Uncle Harold laugh too, but not quite as much as dad.

I see his thick wavy black hair sprout from underneath a toque that has climbed up the back of his head while he lays up an even row of snow beside the red Ford half-ton — stuck, on the way to the farm. A farm that raised pigs, hundreds of laying hens, and killed over a thousand turkeys and a farm that compelled dad to be experimental, a general store owner, a public school trustee, a Co-op board president, a bus driver, a Gideon, a deacon…

I see him reading at the table of our other farm–"Jonat’s farm"–the farm we never quite felt at home with. I secretly thank him as he pretends not to notice the scent of tobacco after I come back from smoking a "rollie" behind the bin.

I feel his sadness and tension as he drives me to meet friends, friends I’ll leave to the coast with, leaving him behind, not seeing him for several years.

Decades later and two months before his death, I hear the pride in his voice as he recounts the good that all his children did. Kids from small town partner well and make good. Did we recognize ourselves in his rhapsodizing? Dad did.

And a year after his death I dream him in that robins egg blue suit of his, sitting at the dark-wood dinning-room table, and we are all around and we’re laughing.

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