Christmas in Ladysmith

Photo: Ladysmith Chronicle

 

Because we followed an evening star,
here, to our new slimmed-down home
among the stolid mountains,
the high jewel lakes, the anxious highway,
the lordly logging trucks,
the life-giving waterfalls of Holland Creek,
the pushy mufflers of Ford 150s,
parked by the shining shops on First,
the lineup at the cinnamon-bun bakery,
gluten-free at Wild Poppy,
the slick black canopy of Salamander Books,
nests of knick-knacks at the general store,
and the old Temperance Hotel, now a gallery
with framed impressions of the Salish Sea;
on to Transfer Beach, its gritty history,
and a constellation of boats,
their masts and sails defined by strings of lights —
the way Christmas puts all things in high relief —
then back to the levitating suburbs,
light the gas fireplace, ease the yearly hollowness
with mulled wine — bury some worries
of the temporary kind.

This year, family-absent, we’ll celebrate
with local friends, share the family stories,
our speckled histories.
We’ll chatter up the joys, modulate the sorrows —
loving reunions, unsolvable divisions —
all that’s real and never far from pain or laughter.
And I’ll prattle on about last-years perfect Christmas,
then recall the one before,
I saw my partner weeping.

 

Walking in Wildwood

Dr. Nancy Turner, Ethnobotanist, Professor Emeritus of Environmental Studies, UVic, Canada

 

My new volunteer position as caretaker of the Wildwood Ecoforest property, afforded me the pleasure of going for a hike through 80-plus acres of old-growth forest (plus 21 acres they are raising money to purchase), with several of the Wildwood Ecoforest (EIS) board members, two of whom were our guides. Barry Gates (red jacket), a conservationist, planner, and forest manager, with a wellspring of forest knowledge. And Nancy Turner (our photographer), who you’ll meet here:

Walking in Wildwood

– for Nancy Turner

O, sweet, spontaneous earth.  -e.e. cummings

This heart of a child,
disguised as an elderly woman with bad knees,
is delighted in everything at hand.

We are walking the old woods of Wildwood.
She tells us about palm tree moss, then the vanilla leaf,
then the licorice fern, then the cascara tree, “Their bark
is a fine tonic and laxative, so the Coastal peoples teach.”

I will not remember details, but I’ll remember her pleasure
in the green of step moss, her wonder at the single leaf left
on the blackcap raspberry, her smile at the ironic shrub,
called ocean spray, “highly prized for making arrow shafts.”

She delights in finding what she already knows is there.
Her joy in naming, still more joy in showing — stooping, she picks
a shiny rippled leaf, says, “rattlesnake plantain orchid,”
and begins to rub the leaf between her thumb and index finger,
“See these uncanny leaves? they separate;
indigenous children made tiny balloons of them.”

Her joy is of a genus I’ve met before — a devotion rooted
in mindful attention to the embroidery of creation; a threshold love
I’d once met in the heart of a monk: first, seed for his chickadees,
then tea in his hermitage. A successful day.

Hang on to this, I tell myself. Witness, this breathing adoration
that must have been, had to be, in all our beginnings,
a natural resident.

We stand on an escarpment looking over an acre of wetland
in this old-growth forest, and I think: if I could be unthinking
enough, unpossessed enough, I could hear the wet grass speak,
the liverworts laugh, the fir-crowns cry, glory!

I do not know her beliefs, it does not matter,
her way is to be in league with the spirits of leaves
present to the divine presence of trees,
the numinous lichen.


The day after our hike Nancy sent us this list of what we’d seen, and didn’t see, but what she knew was there.

Licorice fern on a broadleaf maple

Parable of a Father

Photo: Jerusalem Post – 2015

 

An ordinary Palestinian father, stripped to his waist,
and bleeding, carries in his arms a wounded Israeli soldier,
back to the front lines, where the disbelieving eyes
behind a hundred rifles watch and stare.

A blemish appears upon the polished plans of war.
A crack opens in the concrete runways of revenge.
Suddenly, the bombs are undependable; and doubtable,
are the drones of death.

The tonnages of explosives.
The math of missiles.
The arithmetic of body count.
The grid of bloodshed.
Have clay feet, and contain the seed
of their own destruction.

The father’s love for another father’s son is inscrutable
to the rational ratios and sovereign strategies of war.
The free act is a gap in the absolute mimicry of combat,
a flaw in the machinery of hate and vengeance,

and is where the beauty lies,
and is where the life grows,
and is where the river of light, flows.

The father must be shot, the event covered up,
or all peace will break out.

 

If the dawn that plays on the waves of a lake

Crimson Lake, Alberta

 

If the dawn that plays on the waves of a lake,
if the sway of a bough in a cedar-scented breeze,
if bullfrogs and fireflies and the rosy maple moth,
all seem trivial in the violence toward extremes;

if the poetry of roses no longer satisfies,
if the movements of art and song no longer meet
the hunger for meaning (or evasion), then let us release them
to the chilling weight of the moment,
and let it snow, let it deepen, let it blot out
the death-driven spirits of dominion.

Dear Mr. Ginsberg we need your Howl,
Dear Robert Bly we need your faith, your fire, your scowl,
Dear Ms. Levertov, we need your lamp-lit soul —
     a light to our feet.

And walk us through the darkness
     to the oasis of silence and reflection,
          lake of mystery,
full of uncatchable fish — see
               them leaping at the joy of adoption.

Dear stranger at the empty tomb,
lend me your garden trowel, for I have sewn
my rows of conditional love, but have neglected
to plant the only miracle that matters:
perpetual compassion and love for all others.